Ludwig van Beethoven's Piano Concerto nr 3 receives from his interpretation a really new and extremely interesting shape. A work written on the ridge among Mozart's models and the new style of the last two concertos, the 4th and 5th, is relentlessly probed by the pianist in each note, to give new life to every cantabile and melodic line. Mustonen has a remarkable and really personal technique, and an enviable control of the keyboard. Review by Fabio Bardelli.
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